Dalila Armchair
Italy, 1980
Gaetano Pesce

Molded polyurethane with epoxy resin
28 × 22 × 32½”

In 1969, Pesce stumbled into his first major line of furniture by way of pondering his sponge while in the shower. His Up series, created from high-density polyurethane foam, with no interior structure, was revolutionary in that it could be vacuum-packed and stored and shipped flat; the pieces were also organic and pliable in form. The Up furniture debuted in 1969 and is at the crux of understanding Pesce’s design ethos; with a rather forceful hand and roguish attitude, he was intent on moving away from design and architecture that was decidedly masculine and intellectual and toward forms that were carnal, supple and grounded.

After an appointment as a lecturer at the Pratt Institute in 1980, Pesce and his family relocated to New York, where he let the cityscape inform his work, creating iconic works such as the Tramonto a New York sofa (1980) and his Pratt chairs (1983). His focus also turned toward lighting and private residential commissions, where he was able to create total environs. In the 1990s Pesce again returned to his idea of “mass-produced originals,” working with the Italian company Zerodisegno to create some of his most accessible but still unconventional designs such as the Nobody’s Perfect series, the Umbrella Chair (1995) and his Open Sky series with Fish Design. Pesce also began constructing what is perhaps his most ambitious work, a vacation home complex in Bahia, Brazil where he has experimented with a myriad of innovative forms and materials on a large-scale.

Despite his fervent anti-establishment values, Pesce has been recognized by the design community as an influential visionary. —Wright

(Photo: Wright)